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Pictures I took:http://xeph925.multiply.com/photos/album/38/22SEP07_RS5_Forum_Teriyaki_Boys_LIVE_Newyork-Tokyo_FestivalFull Length of all tha clips i got:http://stage6.divx.com/user/robbiebulilan/video/1682550/Teriyaki-Boyz-@-NY---Tokyo-Music-Festival!Managed to make it on time to tha performance of teriyaki boyz! @ tha NY-Tokyo Music Festival. Shit was bOMB! i can't believe i saw it. Anyway here's all tha highlights.Props:Mishidabo - Making tha ripslyme forumBlebebop - For giving me the heads up on the festivalWetworks Design - Having a blast there. and lloyd for tha idea of throwing tha shirt hahaCamera: Canon S3 ISPrograms Used: Adobe Premierelinks:www.ripslyme.jconserv.netwww.myspace.com/xeph925www.myspace.com/wetworksdesign
Teriyaki Boyz @ NY- Tokyo...
Categories: Music festivals 
Added: 255 days ago
By: devcode
Runtime: 10m10s
Views: 22  | Comments: 0
Rating: Not yet rated
Go to http://www.panonthenet.com/classics/pan_rebels.htm for the full performance of this selection - "In My House" - as arranged by Len 'Boogsie' Sharpe. In the late 80's a group of young, innovative, progressive, talented and rebellious steelpan musicians known as Pan Rebels left their mark on New York pan as no other has. In many respects Pan Rebels' birth signalled the dawning of the new and current age in the New York pan music continuum. Pan In New York was going to become primarily a youth movement. New ideas, interest and people would become critical components of the New York pan scene. And Pan Rebels was always at the forefront - trying new things although they are not always the ones who received the credit when it became popular. It is not surprising that Pan Rebels started the now-famous New York J'Ouvert celebrations.Simultaneously, a young group of New York electrical and broadcasting engineers known as Basement Recordings were also experimenting and working closely with Yamaha Corporation of America - who recognized their brilliance immediately - to fine tune its digital recording technology. Yamaha provided Basement Recordings with one of it's then-unreleased 24-bit digital recorders to test and make recommendations. The unit was then known as the DMR8 which would become the corner stone on which all future Yamaha digital recordings technology would be based. As faith or luck would have it, many of the engineers at Basement Recordings were also pan musicians. Even before the introduction of the DMR8, Basement Recordings was light years ahead of any other group or production team in terms of producing quality steelband recordings. Since the mid-80's they had already developed a technique they label as the 'box and one' specifically for the steel orchestra. It received rave reviews and write ups in many of the broadcasting and professional audio journals.Now armed with this digital recording goliath - that was in many ways way ahead of its time - Basement now had the tools to capture the full dynamic range of the steel orchestra without compromise. Moreover they were committed to producing outstanding recordings that could stand next to any great music productions regardless of genre - and showcase the greatness of the 'Boogsies' and 'Bradleys,' with any of their contemporaries.In Pan Rebels - Basement Recordings found kindred sprits - young musicians who were not tied to conventionality - furthermore they were not afraid of the presence of technology. Add the great Len "Boogsie" Sharpe, the ultimate unconventional arranger and what you got was magic. Basement Recordings always looked forward to recording Pan Rebels steel orchestra. They were young people; they understood the power and importance of recording and immortalizing their music works/material. As a matter of fact the band's management viewed Basement's recording them as a critical part of their panorama season. World-renowned arranger Len 'Boogsie' Sharpe was perfect as he supported, encouraged and understood what Basement and Pan Rebels were undertaking. Interestingly enough Basement's and Len 'Boogsie' Sharpe's paths would cross many times in other professional arenas in the future - of particular note would be their coming together with legendary master drummer Max Roach on future recording projects. The Pan Rebels - Basement Recordings collaborations produced many recording gems that featured prominent arrangers like Garvin Blake and Pelham Goddard in addition to Len 'Boogsie' Sharpe. Even though the orchestra has been inactive since 2002 - with their musical works and contributions to the New York Steelband music scene, while spearheaded by the dynamic trio of Anthony 'Pra' Trebuse, Gary Rogers and Michelle Williams - Pan Rebels remains a New York steelband fixture.
Pan Rebels with Len...
Categories: Musical compositions 
Added: 255 days ago
By: antony
Runtime: 4m15s
Views: 37  | Comments: 0
Rating: Not yet rated
Lagbaja is a Yoruba word that means somebody, nobody, anybody or everybody. It perfectly depicts the anonymity of the so called "common man". The mask and the name symbolize the faceless, the voiceless in the society, particularly in Africa. Once you see Lagbaja's mask you are reminded of your own facelessness. This symbolism is so powerful that Lagbaja's mask has popularized the use of the mask concept by other artistes both in Nigeria and beyond.Though the concept was developed long before that, his first album (entitled Lagbaja) was released to National acclaim in 1993. Over the years and more albums later, the music continues to fascinate with its unique focus on a core of African drums. His music is a product of various influences ranging from traditional Yoruba music to Jazz. Often the music is purely instrumental- an interplay between traditional Yoruba percussions, drums, chants, and western instruments, especially the saxophone. When there are lyrics, they are primarily sung in Yoruba, English or a blend of the two as is colloquially spoken in Yoruba cities. Many of his songs dwell on serious social issues, while others simply entertain. Some are dance inducing while others pass serious messages in humourous ways. One thing that links all the songs together is his use of traditional African drums. Traditional Yoruba drums are the most prominent. Four families of these drums are employed in creating different grooves and moods. The dundun/gangan family is the most prominent and at times up to five drummers combine all the various components to create the polyrhythms. The bata ensemble is led by two musicians who alternate between soft high toned driving rhythms with their omele bata, and thunderous loud talk with their mum drum- iya ilu. The general percussionist leads the sakara ensemble. The fourth family, used as the backbone of the groove is the ogido, a derivative of the ancient gbedu. The ensemble of drummers constitute the larger part of the band. Vocalists and western instrumentalists make up the rest. Lagbaja's groovy fusion has been refered to as afrojazz, afrobeat, higherlife and afropop until now that he himself has christened the music AFRICANO, alluding mostly to the central role of African drums and grooves in his music.In March 1997, Lagbaja established his club, Motherlan' in the heart of Ikeja in Lagos. Motherlan's design is influenced by the traditional African town or market square, where people gather under the moonlight for ceremonies and artistic events like dance, music, story telling, wrestling etc. True to this function, over the years, it has become a place for many comedians to polish their act in front of a demanding audience. With a serene gorge of beautiful trees and greens as background, the venue merges traditional Africa with the contemporary, creating the ambience of the countryside in the urban city. Lagbaja performs at Motherlan' every last Friday of the month to a full house of faithfuls. Lagbaja is fast emerging in the forefront of contemporary African music, rich in the traditions of the continent while cosmopolitan in attitude. He has started to take his music beyond the shores of Nigeria, performing in festivals and venues around the world.Lagbaja is out now on Blue Pie for the world. You can find out more on Lagbaja by visiting www.bluepie.com.au or by searching "lagbaja" at all leading digital retailers on the planet.
Lagbaja - The best African...
Categories: Films music and musicians 
Added: 255 days ago
By: devcode
Runtime: 8m17s
Views: 19  | Comments: 0
Rating: Not yet rated
Axe Bahia e Criss...
Gata Brasileira
Categories: Pop Music 
Added: 255 days ago
By: antony
Runtime: 3m20s
Views: 25  | Comments: 0
Rating: Not yet rated
digg: http://digg.com/world_news/NEWAnonymous_Basic_Protest_Training_VIDEO_for_Xenu_Attacks (just found out someone put this on there)http://www.encyclopediadramatica.com/PROJECT_CHANOLOGY/IRL_PROTEST_PAGEhttp://www.enturbulation.org/http://partyvan.eu/wiki/Project_Chanologyhttp://partyvan.info.nyud.net/index.php/Project_Chanologyhttp://harbl.wetfish.net/cosplayHello Anonymous. Welcome to the Anonymous Basic Protest Training Programme. This programme was designed to allow each and every member of Anonymous to extract the maximum amount of lulz with the minimum risk of fail. Remember, here at Anonymous we believe, that if at first you don't succeed, you fail.Pay attention, at the end of the programme there will be cake.Now, let us commence training.There are cult hives in almost every major city in the world. Check the links, or use google. Anonymous may have already organized a protest in your area. Do not visit official scientology websites to find their location, they will trace your IP address.If you are unable to travel, you can still contribute by:Spreading word of the protest.Contacting the media.Disseminating Anonymous propaganda.Designing leaflets, posters, or flyers. Or by taking part in the online campaign.Bring cake. Wear comfortable shoes. Bring a camera. Carry a sign. Download and print out leaflets to give to passers-by. Bring music; Choklit Reign, Rick Astley, and the Fresh Prince of Bel-Air. But most important of all, wear a mash. It is essential to remain Anonymous. Remember, Anonymous is no one. Individuality is incompatible with Anonymous. Rely on the whole. Be part of the whole. Avoid the one.Remember, being identified as a critic of scientology can have dire consequences. Find out from Anonymous if masked protest is legal in your area. Use the links. If not, a scarf and sunglasses will suffice. Do not protest directly outside the cult. This is not Habbo Hotel. It will be considered aggressive. Instead, protest across the road from the cult. This way if a scientologist approaches you, and tries to cause trouble, the local law enforcement will view him as the aggressor. Be wary, there is an official scientology practice called 'Bull-Baiting' sanctioned by L Ron Hubbard. The Scilon will act as aggressive as possible in an attempt to provoke critics into attacking him. Do not respond, do not threaten or even insult him. If confronted by a Scilong, film the lunatic and post it on Youtube. Or better yet, recount the Xenu story. This will make him walk away quickly. It is Scilon law that no one is allowed to hear the Xenu story unless they have paid the tens of thousands of dollars necessary otherwise it will cause them to catch pneumonia and die.The cult will try to infiltrate some of it's members into the protest and cause trouble. This is in the hope that the police will stop the protest down. Distance yourself from any troublemaker. Wait for your local law enforcers to take the Scilon spy and have him party vanned.On your way home from the protest, make sure you are not being followed by undercover Scilons.Always respect your local law enforcers. Never use violenceNever threaten to use violenceDo not throw anything.Do not insult anyoneCongratulations, you have passed the Anonymous Basic Protest Training Programme. As promised, here is cake, delicious and moist.Remember you have the right to protest.As long as it is peaceful, we cannot be stopped. As long as we are faceless, we cannot be stopped. As long as we are leaderless, we cannot be stopped.
Anonymous Basic Protest...
Categories: Music criticism 
Added: 255 days ago
By: devcode
Runtime: 4m2s
Views: 19  | Comments: 0
Rating: Not yet rated
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