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Examples of Censorship in the history of music. I thought it would be sort of comical to use three of Madonna's videos to show three out of four of the reasons why music videos are banned. Videos:"Pagan Poetry" - Bjork"Me So Horny" - 2 Live Crew"Like a Prayer" - Madonna"Justify My Love" - Madonna"What It Feels Like for a Girl" - Madonna"Rock DJ" - Robbie WilliamsSongs:"New York City Cops" - The Strokes"Censorshit" - The RamonesAlbum Art:"Is This It" - The Strokes"As Nasty As They Wanna Be" - 2 Live Crew"Yesterday and Today" - The Beatles"Beggars Banquet" - The Rolling Stones"Slippery When Wet" - Bon Jovi"Appetite for Destruction" - Guns N' Roses"Ritual de lo Habitual" - Jane's Addiction"Unfinished Music No. 1: Two Virgins" - John Lennon & Yoko Ono"Virgin Killer" - The Scorpions"Death Certificate" - Ice Cube"Windowlicker" - Aphex Twins"Whatever People Say I Am, That's What I'm Not" - The Arctic Monkeys"Blind Faith" - Blind Faith"Electric Ladyland" - Jimi Hendrix"Holy Wood" - Marilyn Manson
Censorship in Music:...
Categories: Censorship of music 
Added: 207 days ago
By: antony
Runtime: 4m57s
Views: 15  | Comments: 0
Rating: Not yet rated
December 8, 2006A Great Musician Needs Your HelpMy Friend Bruce LanghorneBy JONATHAN DEMMEBruce Langhorne, an old friend and musician/composer that I have known for many years has had a catastrophic series of medical events this year, and they are not over yet. Bruce does not have any medical insurance. ...He's a beautiful dude who has had an auspicious but unhighlighted career, including being the guy playing that amazing slide guitar on Dylan's "Knockin' on Heaven's Door". Tons of other Dylan, Odetta, Clancy Brothers, etc. He scored Melvin and Howard and Fighting Mad for me, also peter fonda's brilliant Hired Hand. He's quite a guy.When Bruce was a 12-year old violin prodigy living in Harlem in the fifties, he accidently blew several of his fingers off with a cherry bomb that he held onto too long. In the ambulance on the way to the hospital, Bruce looked up at his distraught mom and said, "At least I don't have to playviolin anymore." He has been a master on all guitars, mandolins, etc, pianos etc over the years and for many years was Dylan's first choice for important guitar parts on the albums and sometimes live, with Bruce playing all these instruments django rhinehart style, working the strings with mostly nubs instead of (his missing) fingertips.Bruce suffered a huge diabetes-related attack on his digestive system in the spring, and then had a stroke in the summer. He is recovering slowly but surely and needs to have a microscopic tumor removed from his brain when it gets big enough -- the tumor is related to his previous problems.Janet told me that Bruce sat down at the piano a couple of weeks ago, played a few notes and then just sat there silent. He told her 'my fingers used to melt into the keys, but now they don't know what to do.' He's in good spirits though, and focused now on trying to get strong for the future operation.Checks can be sent to:"JANET BACHELOR ITF BRUCE LANGHORNE", and mail to JANET BACHELOR629 SUNSET AVEVENICE, CA 90064Jonathan Demme is a film director. His films include Something Wild, Philadelphia, Silence of the Lambs and The Agronomist.The interview quoted below appeared in full on the website Film Threat: Truth in Entertainment at filmthreat.com.PETER FONDA SHOWS HIS "HIRED HAND"by Tim Merrill (2003-11-02) How did you hook up with Langhorne? I know he used to be a session guitarist for Bob Dylan, and played on "Bringing It All Back Home" and "Blonde on Blonde." Fonda: He was producing an album for me, "Got to Get You Into My Life," through Hugh Masekela's label. At the time I told him about "Easy Rider," and he told me he thought I ought make that film. Then I came back to work with him again, up comes "The Hired Hand" and I knew who was going to score it. If he were to walk in right now and you didn't see Bruce, you would feel his presence. He just emanates love and kindness, in addition to being a virtuoso on like 50 string instruments. I took him over to Hawaii once, he heard the slack-key guitar and went full-on Hawaiian! But he lives in Venice now, and he also makes a great hot sauce - Brother Bru-Bru's Hot Sauce. Bloom: There are so many things about this movie that are perfect, and Bruce's score is one of them. You can't imagine any other score with this film. And it was his first film score, right? Fonda: Yeah. Universal told me, "You can't just hire your friends, man." But the word "virtuoso," applied to musical instruments, means something. Like if I want a full string section, he'll go play fourteen different violins and violas and cellos. So I have one man I have to pay who can do all this work for me! Then they were okay with him. And by the way, on Bruce's picking hand, his thumb, his index and middle fingers are all stumps. They were blown off in a rocket accident in his backyard when he was a kid. But he had already been playing, so he had the surgeon sort of shave them down a little so he could still finger pick. And that National steel guitar that he favors, and we favored very much in the film because it has such a beautiful tone - how did he get there? He used old electric guitar strings, and this muted picking. So there's a reason his playing sounds like no one else...
Bruce Langhorne-Closing...
Categories: Music events 
Added: 207 days ago
By: devcode
Runtime: 4m32s
Views: 25  | Comments: 0
Rating: Not yet rated
Gold Medal for ExcellenceAudience Choice for Best Music Documentary2006 PARK CITY FILM MUSIC FESTIVALGOTTA SERVE SOMEBODY:THE GOSPEL SONGS OF BOB DYLANhttp://www.gottaservesomebody.comhttp://dylangospel.blogspot.com/The best African-American covers of Dylan songs since Jimi Hendrix. --International Herald Tribune"This DVD overflows with interest, and, more importantly, with music." -Michael Gray, author of The Bob Dylan Encyclopedia and Song & Dance Man III: The Art of Bob Dylan.Interviews with Dylan musicians: Jim Keltner, Spooner Oldham, Regina McCrary, Fred Tackett, Terry Young, Mona Lisa Young, and producer Jerry WexlerParticipating artists: Bob Dylan, Shirley Caesar, Chicago Mass Choir, Dottie Peoples, Aaron Neville, Sounds of Blackness, Helen Baylor, The Fairfield Four, Great Day Chorale, Arlethia Lindsey, Mighty Clouds of Joy, and Rance Allen.Commentary by: Paul Williams and Alan LightThis musical documentary premieres 1980 footage of Bob Dylan performing "When He Returns," the first archival performance released from this important era.Amazon.com Editorial ReviewGotta Serve Somebody - The Gospel Songs of Bob Dylan is all about redemption. That's apparent enough in the music, where the struggle between sin and salvation is inherent in the tunes that are interpreted here by a host of superb gospel artists. But in a larger sense, the very existence of this DVD (and the Grammy-nominated CD that preceded it in 2003) can be viewed as redemption for Dylan himself, who weathered another controversy and emerged, if not triumphant, then certainly vindicated. When he plugged in an electric guitar in 1965, he was labeled "Judas" by the folkie faithful; ironically, when he turned to Jesus some 15 years later, proclaiming himself born again and releasing Slow Train Coming and Saved, the outcry was even louder. But once again Dylan has the last laugh, as now, a quarter of a century after the fact, it's clear that the material on those recordings was his strongest not only since 1975's Blood on the Tracks but perhaps since his '60s heyday. The quality of the songs lies in what Jerry Wexler, co-producer of the two Dylan albums, describes as the "immaculate funk" of the music, and especially in the heartfelt simplicity (especially by Dylan standards) and emotional directness of the lyrics; clearly, that's what attracted great gospel singers like Shirley Caesar (singing "Gotta Serve Somebody," the most recognized song on the two Dylan albums), Dottie Peoples (a powerful version of the beautiful "I Believe in You"), the Mighty Clouds of Joy (a rockin', sanctified "Saved"), the Fairfield Four (the stirring, a cappella "Are You Ready"), and the angel-voiced Aaron Neville ("Saving Grace") to this project. We also get Dylan himself, performing "When He Returns" at a 1980 concert, along with an animated rendering of his original "Gotta Serve Somebody." Hallelujah, y'all. --Sam GrahamBob Dylan's Gospel songs, widely reviled when new, have steadily grown in stature and acceptance over the years. Here in the hands of Gospel greats, likely the folks best suited to do them, they come up stronger than ever. Strong recommendation. Much better and more gripping than I expected. -Sing Out!Directed by Michael B BorofskyEdited by Christine MitsogiorgakisJeffrey Gaskill Executive ProducerFeatured Performances:Every Grain of Sand (Arlethia Lindsey)When He Returns (Bob Dylan)Solid Rock (Sounds of Blackness)Gotta Serve Somebody (Shirley Caesar)I Believe In You (Dottie Peoples)Saving Grace (Aaron Neville)What Can I Do For You? (Helen Baylor)Are You Ready (The Fairfield Four)In the Garden (Great Day Chorale)Saved (Mighty Clouds of Joy)Pressing On (Chicago Mass Choir)When He Returns (Rance Allen)Bonus Features include: Animated video to -Bob Dylan's original GRAMMY® -winning, "Gotta Serve Somebody."
Bob Dylan- Gotta Serve...
Categories: Films music and musicians 
Added: 207 days ago
By: antony
Runtime: 5m9s
Views: 29  | Comments: 0
Rating: Not yet rated
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