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Second part of the First Day
Ultra Music Festival 2007...
Categories: Music festivals 
Added: 256 days ago
By: devcode
Runtime: 8m12s
Views: 34  | Comments: 0
Rating: Not yet rated
Song featured in Sami Yusuf's "My Ummah" album, done with english text of the lyrics.I made this after watching Sami Yusuf and Isam on a concert together performing this song. They pointed out that this song speaks of any troubled children in the world, even if some lyrics explicitly point to the Palestinian struggle. All of the videos on this song that I saw on YouTube represent that particular struggle only. I'd like to return to the concept of the creators of the music, and try to incorporate all of the world's children's suffering-- this is my attempt at it.Please rate it and tell me what you think-- constructive criticism is highly preferred over blind offense, and appreciation is always welcomed.If you want to help, give your time or your earnings to causes you believe in. It's not how much you give, it's that you give. This is my preference charity outlet that I trust, but you can choose your own:www.islamic-relief.com (International)www.irw.org (USA) - recipient of Four Star Charity by Charity NavigatorCorcerning Music and Islam:After searching the quran and found empty on any banning of music, I turn to Hadeeth:Hadeeth Shahih Muslim (excerpts from www.quran.net)Muhammad, peace be upon him allows the enjoyment of singing and musical instruments. Hence, music is not haram.Book 004, Number 1942: " 'A'isha reported: The Messenger of Allah (may peace be upon him) came (in my apartment) while there were two girls with me singing the song of the Battle of Bu'ath. He lay down on the bed and turned away his face. Then came Abu Bakr and he scolded me and said: Oh! this musical instrument of the devil in the house of the Messenger of Allah (may peace be upon him)! The Messenger of Allah (may peace be upon him) turned towards him and said: Leave them alone. And when he (the Holy Prophet) became unattentive, I hinted them and they went out, and it was the day of 'Id and negroes were playing with shields and speare. (I do not remember) whether I asked the Messenger of Allah (may peace be upon him) or whether he said to me if I desired to see (that sport). I said: Yes. I stood behind him with his face parallel to my face, and he said: O Banu Arfada, be busy (in your sports) till I was satiated. He said (to me): Is that enough? I said: Yes. Upon this he asked me to go."Song/Music are just tools, like talking, that can deliver both good and evil. Talking can do a lot of harm (backbiting, gossiping), but Talking in general isn't haram - only backbiting and gossiping is haram. Music does the same, so why some people want to claim it Haram, when it is only a tool to perform good or evil. Listening to good music is like listening to talks of good and beauty of the creation of Allah, and listening to raunchy music is like listening to gossip. So claim haram to only those music that are lustful and profane, but not all music - especially good music.Book 033, Number 6422: "Abu Huraira reported Allah's Messenger (may peace be upon him) as saying. Allah fixed the very portion of adultery which a man will indulge in. There would be no escape from it. The adultery of the eye is the lustful look and the adultery of the ears is listening to voluptuous (song or talk) and the adultery of the tongue is licentious speech and the adultery of the hand is the lustful grip (embrace) and the adultery of the feet is to walk (to the place) where he intends to commit adultery and the heart yearns and desires which he may or may not put into effect."King Abdullah claim title "Guardian of two Holy Cities" website reference:"On the death of King Fahd on 1st August, 2005, the title of Custodian of the Two Holy Mosques was assumed by King Fahd's successor, King Abdullah." --- is from Ministry of Hajj, Kingdom of Saudi Arabia website:http://www.hajinformation.com/main/d10.htmanother reference: http://en.wikipedia.org/wiki/Custodian_of_the_Two_Holy_Mosques
Outlandish & Sami Yusuf...
Categories: Music criticism 
Added: 256 days ago
By: devcode
Runtime: 4m54s
Views: 38  | Comments: 0
Rating: Not yet rated
http://cdbaby.com/cd/vanarmenyaGOMIDAS VARTABED - KOMITAS (1869- 1935)One of the most renowned Armenian Churchmen and musician of modern times was Gomidas Vartabed, also known as Komitas. He was born Soghomon Soghomonian in Kutaha, Asia Minor in the year, 1869. His life had an interesting turn of events, when at the age of eleven, he was orphaned, and at a young age he was sent to a Seminary in Etchmiadzin to study. Because of his singing prowess, he decided to teach music at the Seminary after he completed his studies. In 1896, Soghomon was ordained a monk or "apegha" of the Armenian Church. A few years later he was ordained a "Vartabed", and as is the practice in the Armenian Church assumed his new name "Komitas"(or Gomidas).Komitas learned a great deal of music from the monks and continued to study music with the famous composer Kara-Mourza, which eventually led Komitas into both secular and religious music. Komitas continued to study music, and in 1896, he was awarded a doctorate degree in musicology. He later returned to Etchmiadzin as a choir director, and Instructor of music at the Seminary.Komitas wrote over three thousand songs in Armenian, Arabic, Kurdish, and Persian, and also contributed significantly to the modern Armenian Badarak. His main contribution was to rediscover Armenian folk music. He spent years traveling throughout the provinces and visiting many villages listening to native songs and dances, and making notes of them for further analysis. His work in arranging and collating the folk music he had collected over the years eventually became excellent songs for chorus music, and made the public aware of the existence of true Armenian music. In addition to the folk music, Komitas arranged the entire music of the Divine Liturgy (Badarak) of the Armenian Church, for male voices.The internationally known priest was the first non-European to be a member of the International Music Society. Komitas performed concerts in Paris, Geneva, Berne, Constantinople, Venice, and Alexandria. It is interesting to note that in the spring of 1915, during the imprisonment of leaders of the Armenian community, Komitas too was taken into custody. Through the efforts of Henry Morgenthau, Ambassador from the United States of America, and the Turkish poet Mehmet Emin Yurdakul, who admired Komitas' work, Komitas was released.After the April 24, 1915 massacres of the Armenian people by the Turks, he succumbed to mental and physical anguish and never fully recovered. Komitas lived as if a walking corpse for the next twenty years. The revered holy man died in Paris on October 22, 1935 in a mental hospital. One year after his death his ashes were transferred to Yerevan and interred in the Yerevan Panthenon. In the 1950's his manuscripts were transported from Paris to Yerevan where they were being studied and published
gomidas 333 Komitas...
Categories: Music events 
Added: 256 days ago
By: devcode
Runtime: 5m40s
Views: 40  | Comments: 0
Rating: Not yet rated
Dishwalla - Couting Blue Cars (Live @ Billboard Music Awards '96)
Dishwalla - Couting Blue...
Categories: Music awards 
Added: 256 days ago
By: antony
Runtime: 5m14s
Views: 11  | Comments: 0
Rating: Not yet rated
(Part 13B) SAT, July 28, 2007. SCANNERS 2007 Video Festival. Film Society at Lincoln Center. Walter Reade Theater. CRITIC Armond White's "Official History of Music Video: An Introspective" Presentation.This footage airs the original segment/portion of the music video that caused a lot of controversy when it initially aired.(Part 13B)PANTHEON Exhibit CCRITIC Armond White on Michael Jackson "Black Or White"Director: John LandisHere's an article promoting the event:http://www.nypress.com/20/30/news&columns/feature.cfmArmond White can be reached courtesy of the weekly, the New York Press http://www.nypress.comOrthe newsletter, First of The Monthhttp://www.firstofthemonth.org/Here are some quotes from Armond White on this section of the music video. It's from the essay, "Black Or White, The Gloved One Is Not A Chump"."...It's doubtful if the most devoted Jackson fans were prepared for the coda's display of complex, raw anger. On the sound stage where the morphing sequence was shot, a panther stalks the set unnoticed by the technicians, and wanders off to a dark, misty city-street set, where the panther transforms into Jackson. Dressed in black, with white socks and arm brace, plus a black fedora, Jackson turns his early eighties robotic break moves into Kewpie doll spasms that are jerky, tense (his joints seem to have 360-degree hinges) and finally sensual.""This is a film noir version of Gene Kelly's famous Singin' In The Rain number, and Jackson's subversion of that cheerful archetype surely disturbed most people's notion of what show business is all about...""...fondling his groin and pinching his nipple, Jackson goes past exhibitionism into artfully rendered obsessiveness, for anyone who had him pigeonholed as a harmless eunuch, his coda says, 'Not so fast! I'm an adult, I got a dick! And I'm angry,' ""The coda's most amazing semiotic moment is a close shot of Jackson slowly zipping up his fly. The invisible penis is what's called a 'structuring absence' - - the drive of the entire video represents the thrust of his ego..."The City Sun. November 21, 1991Also seen in the book, "THE RESISTANCE: Ten Years of Pop Culture That Shook The World"This article/essay won the 1992 ASCAP Deems Taylor Award in Music Criticism/Journalism
(Part 13B) Armond White on...
Categories: Music criticism 
Added: 256 days ago
By: devcode
Runtime: 6m28s
Views: 15  | Comments: 0
Rating: Not yet rated
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